[Following Here.]
Stefan Salvatore ... is very stoned.
As well he feels he should be. This is Woodstock. Everyone is stoned.
Fortunately for Stefan, he's only stoned on pot, sprawled in one of the tents as day shifts into night and he's surrounded by flower children, occasionally singing along with the acts on the stage. He's a terrible singer, so it's not a pleasant experience, but right now he's too stoned to care. The live-and-let-live style of the sixties agrees with him in a lot of ways, and it feels like Woodstock is the culmination of that, a decade of relaxation and peach and protesting against things like war and death.
As the high starts to come down, he tips his head back at the sound of a guitar and a familiar voice, squinting for a moment in response. Then he pushes himself up into a sitting position and reaches for the flap of the tent, calling out into the night at ... nothing really, but he's a man on a mission.
"Diana?"
... Maybe he's hallucinating.
Stefan Salvatore ... is very stoned.
As well he feels he should be. This is Woodstock. Everyone is stoned.
Fortunately for Stefan, he's only stoned on pot, sprawled in one of the tents as day shifts into night and he's surrounded by flower children, occasionally singing along with the acts on the stage. He's a terrible singer, so it's not a pleasant experience, but right now he's too stoned to care. The live-and-let-live style of the sixties agrees with him in a lot of ways, and it feels like Woodstock is the culmination of that, a decade of relaxation and peach and protesting against things like war and death.
As the high starts to come down, he tips his head back at the sound of a guitar and a familiar voice, squinting for a moment in response. Then he pushes himself up into a sitting position and reaches for the flap of the tent, calling out into the night at ... nothing really, but he's a man on a mission.
"Diana?"
... Maybe he's hallucinating.