Stefan Salvatore (
somanyadjectives) wrote2016-05-14 10:33 am
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50 shades of stefan } { somethin' came along, grabbed a hold of me [1969]
[Following Here.]
Stefan Salvatore ... is very stoned.
As well he feels he should be. This is Woodstock. Everyone is stoned.
Fortunately for Stefan, he's only stoned on pot, sprawled in one of the tents as day shifts into night and he's surrounded by flower children, occasionally singing along with the acts on the stage. He's a terrible singer, so it's not a pleasant experience, but right now he's too stoned to care. The live-and-let-live style of the sixties agrees with him in a lot of ways, and it feels like Woodstock is the culmination of that, a decade of relaxation and peach and protesting against things like war and death.
As the high starts to come down, he tips his head back at the sound of a guitar and a familiar voice, squinting for a moment in response. Then he pushes himself up into a sitting position and reaches for the flap of the tent, calling out into the night at ... nothing really, but he's a man on a mission.
"Diana?"
... Maybe he's hallucinating.
Stefan Salvatore ... is very stoned.
As well he feels he should be. This is Woodstock. Everyone is stoned.
Fortunately for Stefan, he's only stoned on pot, sprawled in one of the tents as day shifts into night and he's surrounded by flower children, occasionally singing along with the acts on the stage. He's a terrible singer, so it's not a pleasant experience, but right now he's too stoned to care. The live-and-let-live style of the sixties agrees with him in a lot of ways, and it feels like Woodstock is the culmination of that, a decade of relaxation and peach and protesting against things like war and death.
As the high starts to come down, he tips his head back at the sound of a guitar and a familiar voice, squinting for a moment in response. Then he pushes himself up into a sitting position and reaches for the flap of the tent, calling out into the night at ... nothing really, but he's a man on a mission.
"Diana?"
... Maybe he's hallucinating.

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And it was wonderful.
The 1960s agreed with her in a way that no decade ever had. For maybe only the second time in her life, Diana felt like she was comfortable in her own skin.
Admittedly, that skin was muddy and plastered to her dress at the moment. But it was glorious not to have to care.
She was sitting in a circle with Mitch and some of his friends, playing Hey Jude on her guitar when she thought she heard someone calling her name.
Was the universe speaking to her?
She tilted her head back and looked up at the stars. "Hello?"
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"Where are you?"
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...although, if she thought about it real hard, she wasn't entirely sure where on the bodies the kidneys were located.
Oh, but if the universe needed help understanding itself, that meant the universe was like a person. And the idea of powerful and great deities being just like human beings (or...very stoned Cainites) meant that God really had made man in his image.
It was a thoroughly groovy thing to think about.
"Marco!" she called out cheerfully.
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"Polo!"
He knows how to play this game, and he's just going to start stumbling towards the voice.
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She believed a lot of things about the universe.
No way it played 'Marco Polo.'
Nevertheless, she stumbled to her feet, half tripping over Mitch as she followed the voice. "Marco!"
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He's getting closer. Or she's getting closer. Either way, he's making progress, stumbling forward so that he can peek in each of the different tents to see if she's in there. Playing Marco Polo was an A+ idea.
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It was like she'd been reborn.
"Marco!" she sang again. Literally, in a sweet soprano, ending in a trill that vibrated through her chest.
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The word takes a pleased turn up as he comes around the corner to meet her eyes and holds his arms out with a grin.
"There you are!"
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That wasn't actually part of the Marco Polo game. She was just excited.
Diana ran right at him, throwing her arms around his shoulders and jumping up to wrap her dirty, muddy legs around his waist.
It was the best greeting she'd ever given him, probably because it was the most honest. For once in her life, she didn't have to hold back. She didn't have to be prim or proper or keep up appearances.
All she had to do, really, was slip him some tongue.
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Hello to you too, Diana.
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God, he looked gorgeous. Had Stefan always been this pretty? She couldn't remember for sure. But looking at him now, she saw suns and moons and stars, whole universes in his eyes.
Her friend. Her special, special friend.
"Hi," she chirped.
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"I thought that was you."
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Of course, he had no way of knowing that, no way of knowing what she'd become. But she said it in the way in which she spoke the Gospel Truth. Voice hushed and reverent.
This was where she belonged.
"But you," she continued, rubbing her nose against his. "What are you doing here?"
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Actually, despite all evidence to the contrary, Diana was actually good at keeping secrets.
Admittedly, she was better when she was a little more sober but...win some, lose some.
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Happily, she kissed the tip of his nose. "You know what? So do I. I mean...she's just so...groovy and connected. You know?"
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Earth squished in between her toes.
"Oh my God, Stefan," she said, turning to face him again. "I have so, so, soooooo much to tell you!"
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She had a VW van now, one that she was extremely proud of. While it lacked the elegance of some of her earlier cars, it more than made up for that fact in convenience. And it wasn't just the purple, shag carpet.
The damn thing was light tight! Perfect for hiding, you know, vampires.
Not to mention dhampir kidlets.
Proudly, she started to drag him off.
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"I love stuff like this. People just coming together. It's amazing."
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The van was parked out close enough to the stage, without actually being the grounds. Her temporary haven during the day, although she absolutely hated going back to it and missing out on all the fun.
"Your chariot awaits," she giggled, sliding the door open to reveal the shag carpet in the back.
The van was perfectly Diana, of course. And not just because of the purple. There were colorful crystals hanging off of fishwire from the roof. Photographs of beautiful people everywhere. A record player with stacks and stacks of LPs. And so, so many flowers.
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"Groovy" would definitely be an appropriate word for it.
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And with that, she promptly flopped onto her back, pointing an unsteady finger up at the ceiling. "Look, look, look," she said, trying to center her gesture on a glossy picture of a beautiful, teenage girl plastered to the ceiling. "Y'know who that is?"
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/scene?